Björk, who sings in Brazil in November, says that new album is ‘play indoors’

Icelandic singer, who heads one of many days of the Primavera Sound competition in São Paulo, releases her tenth album, ‘Fossora’


Björk descended from the sky and landed on earth. The Icelandic singer dug a comfortable gap, snuggled inside it and wrote her new album, “Fossora”, which might be launched on the thirtieth. It’s an album about underground areas, cities product of fungi and the return of our physique to the earth.

In a cellphone dialog with the report, Björk describes the file as “a play in the home”. “You’re so snug that you keep lengthy sufficient to place down roots,” she says. The concept displays her personal journey again to Iceland, the place she completely lives after many years overseas.

The singer – who involves Brazil in November because the headliner of Primavera Sound – seems for pictures to speak about sounds. He goes on digging mountains and sprucing correct metaphors. “Fossora” does sound like having one’s foot on the bottom, feeling the damp earth between one’s toes. The title evokes its that means – it is the female of the Latin “fossore”, the one who digs.

Björk manages to convey that sense of grounding by her uncommon alternative of devices. The cornerstone of the album is a clarinet sextet, that are bass clarinets.

“I wished to land on the bottom and go deep,” he says. It is the sonic reverse of her earlier album, “Utopia” (2017), which she describes as “a metropolis in the clouds” marked by high-pitched sounds. “It was like floating in the sky listening to flutes.”

In her newest works, Björk stunned by inventing new musical devices. This was the case, in specific, of “Biophilia” (2011). “If you happen to’re not glad that one thing doesn’t exist in the world, it’s worthwhile to create it,” she says. In “Fossora”, nevertheless, the singer channels her creativity to not construct new devices – however to think about new methods to make use of those that exist already.


“I used to be wanting ahead to taking an instrument that is troublesome to jot down for and making an attempt to create totally different colours with it,” Björk says. She explains that in the tune “Atopos”, she used the clarinet to color an aggressive rhythm. In “Victimhood,” she sought extra melancholy, romantic territory. In “Fungal Metropolis” she blew cheerful tones. “If it labored, that’s one other dialog,” she says.

Björk, an outspoken introvert, speaks with a modesty that appears honest. “I believe on all my albums I all the time strive to return to music college. I all the time attempt to study at the very least one new piece of software program, do one thing I’ve by no means achieved,” she says. “We’re all college students. Sensible and silly. It has nothing to do with age.”

“Fossora” actually has this factor of being exterior to time, of being a mature and harmless album on the identical time. The album mixes mild tracks, like “Atopos”, with laborious ones, like “Ancestress”. “Lots of the songs are quiet for the primary three or 4 minutes after which impulsively on the final minute you rise up and dance, and you then sit down once more,” Björk explains.

It is a mirrored image of the occasions. Björk spent the Covid-19 pandemic in Iceland strolling on icy seashores. She had the enjoyment of getting associates over and reworking the lounge right into a dance ground, with heavy digital music. However she additionally skilled the ache of shedding her mom, Hildur Rúna Hauksdóttir.


Two tracks from “Fossora” pay homage to Hildur Rúna. Within the funeral prayer “Sorrowful Soil”, Björk says that “in unhappy soil we dig our roots”. Within the epitaph “Ancestress”, she laments that “while you die, you’re taking with you what you gave”. The melancholy, in this stretch, is sand operating by the fingers. However the singer says she wasn’t on the lookout for catharsis, for therapeutic wounds. “I used to be extra involved with celebrating her life, giving credit score for the nice issues she did,” she says.

One phrase in specific cuts deep into “Sorrowful Soil”. Björk repeats to her mom time and again: “You probably did properly. You probably did your greatest.” She explains that she got here up with the thought a couple of years in the past when she visited her grandfather in the hospital and skim a pamphlet with recommendation for relations of the terminally unwell.

“Earlier than they die, folks need to know in the event that they did properly. I attempted to inform my mother that, however possibly it wasn’t sufficient,” she says. “Typically you place one thing into the music that you haven’t had the chance to precise.”

Enthusiastic about the phrase, Björk additionally realized that there was musicality. It was a mantra. “The rhythm was very attention-grabbing. You probably did properly, you probably did bbbb-well. As if I used to be making an attempt to get it into their conscience earlier than they left.”


As along with her different albums, Björk pays consideration not solely to the music but in addition to the best way to wrap it in pictures. She explains that, like a tarot card, the quilt of “Fossora” is stuffed with symbols. The darkish colours discuss with the earth. The actual fact that you kneel indicators your connection to the bottom. All of the visible components are beneath her, marking her descent from heaven to earth.

“Fossora” is his tenth album. Celebrating the milestone, Björk additionally launched a podcast collection known as “Sonic Symbolism”, in which she tells the story of every of her information. Typically, the singer has talked loads in regards to the previous, maybe with the nostalgia of somebody who has reached the age of 56.

Within the observe “Ovule”, from the new album, she makes a form of abstract of her love life, for instance. The tune reads: “Once I was a woman I believed love was a assemble I used to be strolling in direction of, however lethal demonic divorces demolished the best.”


Within the dialog with the report, Björk talks loads in regards to the previous. She even remembers how she got here to Brazilian music, which marked her profession. The observe “Human Nature” is sampled by Tom Jobim, “Isobel” was impressed by Elis Regina and Björk met Milton Nascimento when he was in Brazil – pictures of the 2 collectively usually reappear on the networks.


“One of many causes I’ve an affinity with Brazil is as a result of I can hear nature in the sounds, that are each trendy and related,” he says. “These are songs you may dance to, however the lyrics are excessive poetry.”

Björk listened to Brazilian music in the Eighties, when it was uncommon for vinyl to succeed in remoted Iceland. She saved cash all winter to go overseas. She introduced albums to the island and went out lending them to associates.

“Typically there was just one copy circulating, and it was often on the improper time. If an album got here out in 1976, we listened to it in 1981, and we didn’t give a rattling”, she says. “I form of prefer it. My favourite CDs I listened to in the improper 12 months. A very good album is a very good album.”
When: September thirtieth
The place: On digital platforms
Creator: Björk
Gravadora: One Little Unbiased Information

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